dc.contributor.author | Ali, Mahmoud Farghali | |
dc.date.accessioned | 2019-09-29T06:38:35Z | |
dc.date.available | 2019-09-29T06:38:35Z | |
dc.date.issued | 2018-12-01 | |
dc.identifier.uri | https://journal.uob.edu.bh:443/handle/123456789/3618 | |
dc.description.abstract | Researcher tries through the utilization of some categories of science narrative that reveals some techniques of concealment as a mechanism of mechanism Professional employed by poets Trochee - in particular - and what was the employment of this technique in their poetry, but a desire to get rid of the direct terms and give cloud of uncertainty artwork on their poetry, and the amount of drama on the grounds that the poem which gives the same when the first reading of the poem medium value, as manifested to us through the study the role of technology the mask in the production of the text of an open multi-sounds, signs, separated from reality and is connected at the fabric of the text of a parallel of the event, but rather than richer fingerprints, as well as provide a measure of freedom to the poet to hide and prevention, as it allows identification with the mask of the poet to go into what can not go into it in makes the poem read for the present in a mirror the recent past or distant. Through the model of Amal Dunqul depends researcher before the Dodgers mask: between the poet and the mask, attendance and absence and the objective and subjective ... etc., focusing on some of the reports of the narrative as presented by Gerard Gent and his companions, it is not enough to render eloquent old in the detection of the aesthetics of the kind of poems. | en_US |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 International | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
dc.subject | Poem | en_US |
dc.subject | Narrative | en_US |
dc.subject | mask | en_US |
dc.subject | Intertextuality | en_US |
dc.subject | Analepsis | en_US |
dc.subject | Commentary | en_US |
dc.title | Poem Mask and Bilateral Shuffle (Poem from the leaves of Abu Nawas to Amal Dunqul) model | en_US |
dc.volume | Volume 2018 | en_US |
dc.issue | Issue 2 | en_US |
dc.contributor.authorcountry | Egypt | en_US |
dc.contributor.authoraffiliation | Dar al-Ulum | en_US |
dc.source.title | Journal of Human Sciences | en_US |
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