dc.contributor.author |
Shaker, Tahani Abdel Fattah |
|
dc.contributor.author |
Autoom, Maha Mahmood |
|
dc.date.accessioned |
2018-07-30T07:05:14Z |
|
dc.date.available |
2018-07-30T07:05:14Z |
|
dc.date.issued |
2014 |
|
dc.identifier.issn |
1985-8647 |
|
dc.identifier.uri |
https://journal.uob.edu.bh:443/handle/123456789/1238 |
|
dc.description.abstract |
It is obvious that Amal Donkols’ poetry clearly depends on religious intertextuality, and those religious versions which he had used were taken from the holy Quran, the Bible and the ancient Egyptian religions. This paper aims at explaining the techniques of intertextual integration which Amal Donkol used in his poetry. Also, the paper shows his ability to reform the inspiration drawn from the absent versions in new images. This research is an analytical and applied study for models of the religious intertextuality in his poetry. This paper is based on recalling the religious intertextuality in Amal Donkols’ poetry and showing its role in forming the text's significance |
en_US |
dc.language.iso |
ar |
en_US |
dc.publisher |
University of Bahrain |
en_US |
dc.rights |
Attribution-NonCommercial-ShareAlike 4.0 International |
* |
dc.rights.uri |
http://creativecommons.org/licenses/by-nc-sa/4.0/ |
* |
dc.subject |
Amal Donkols’ poetry |
|
dc.subject |
religious intertextuality |
|
dc.subject |
techniques of intertextual integration |
|
dc.subject |
inspiration |
|
dc.title |
Intertextuality in Amal Donkol’s Peotry |
en_US |
dc.type |
Article |
en_US |
dc.identifier.doi |
http://dx.doi.org/10.12785/JHS/20140102 |
|
dc.volume |
2014 |
|
dc.issue |
01 |
|
dc.abbreviatedsourcetitle |
JHS |
|