Intertextuality in Amal Donkol’s Peotry

dc.contributor.author	Shaker, Tahani Abdel Fattah
dc.contributor.author	Autoom, Maha Mahmood
dc.date.accessioned	2018-07-30T07:05:14Z
dc.date.available	2018-07-30T07:05:14Z
dc.date.issued	2014
dc.identifier.issn	1985-8647
dc.identifier.uri	https://journal.uob.edu.bh:443/handle/123456789/1238
dc.description.abstract	It is obvious that Amal Donkols’ poetry clearly depends on religious intertextuality, and those religious versions which he had used were taken from the holy Quran, the Bible and the ancient Egyptian religions. This paper aims at explaining the techniques of intertextual integration which Amal Donkol used in his poetry. Also, the paper shows his ability to reform the inspiration drawn from the absent versions in new images. This research is an analytical and applied study for models of the religious intertextuality in his poetry. This paper is based on recalling the religious intertextuality in Amal Donkols’ poetry and showing its role in forming the text's significance	en_US
dc.language.iso	ar	en_US
dc.publisher	University of Bahrain	en_US
dc.rights	Attribution-NonCommercial-ShareAlike 4.0 International	*
dc.rights.uri	http://creativecommons.org/licenses/by-nc-sa/4.0/	*
dc.subject	Amal Donkols’ poetry
dc.subject	religious intertextuality
dc.subject	techniques of intertextual integration
dc.subject	inspiration
dc.title	Intertextuality in Amal Donkol’s Peotry	en_US
dc.type	Article	en_US
dc.identifier.doi	http://dx.doi.org/10.12785/JHS/20140102
dc.volume	2014
dc.issue	01
dc.abbreviatedsourcetitle	JHS