University of Bahrain
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Psychology and Criticism: Three Examples

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dc.contributor.author Sultan, Sabbar S.
dc.date.accessioned 2018-07-30T07:06:31Z
dc.date.available 2018-07-30T07:06:31Z
dc.date.issued 2016
dc.identifier.issn 1985-8647
dc.identifier.uri https://journal.uob.edu.bh:443/handle/123456789/1283
dc.description.abstract Psychology is one of the pillars of criticism in dealing with literary texts and their authors. However, the present paper makes use of the data provided by this field in perceiving the nature of critical practices and their general orientations. Three examples are selected here: S.T.Coleridge, D.H. Lawrence and Virginia Woolf.The paper comprises four sections: the first is introductory about the psychological conflicts and their effect on the critic. Section two is devoted to the Romantic critic, Coleridge, and the third is devoted to Lawrence while the last is about Virginia Woolf. en_US
dc.language.iso en en_US
dc.publisher University of Bahrain en_US
dc.rights Attribution-NonCommercial-ShareAlike 4.0 International *
dc.rights.uri http://creativecommons.org/licenses/by-nc-sa/4.0/ *
dc.subject psychology
dc.subject controversial
dc.subject criticism
dc.subject text
dc.subject creative literature
dc.subject judgment
dc.subject obsessions
dc.title Psychology and Criticism: Three Examples en_US
dc.title.alternative علم النفس والنقد: ثلاثة نماذج
dc.type Article en_US
dc.identifier.doi http://dx.doi.org/10.12785/JHS/20160215
dc.volume 2016
dc.issue 02
dc.pagestart 395
dc.pageend 432
dc.abbreviatedsourcetitle JHS


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