Abstract:
Researcher tries through the utilization of some categories of science narrative that
reveals some techniques of concealment as a mechanism of mechanism Professional
employed by poets Trochee - in particular - and what was the employment of this technique
in their poetry, but a desire to get rid of the direct terms and give cloud of uncertainty
artwork on their poetry, and the amount of drama on the grounds that the poem which
gives the same when the first reading of the poem medium value, as manifested to us
through the study the role of technology the mask in the production of the text of an open
multi-sounds, signs, separated from reality and is connected at the fabric of the text of a
parallel of the event, but rather than richer fingerprints, as well as provide a measure of
freedom to the poet to hide and prevention, as it allows identification with the mask of the
poet to go into what can not go into it in makes the poem read for the present in a mirror
the recent past or distant.
Through the model of Amal Dunqul depends researcher before the Dodgers mask:
between the poet and the mask, attendance and absence and the objective and subjective
... etc., focusing on some of the reports of the narrative as presented by Gerard Gent and
his companions, it is not enough to render eloquent old in the detection of the aesthetics
of the kind of poems.